Author: Joan Hall

AIW Anthologies

AIW Anthologies

Unless you are like Harper Lee, who had only one highly successful novel published until a few months before her death, authors need a number of publications before people begin to notice their work. This is what is known as building your backlist.

Your backlist doesn’t necessarily have to be all full-length novels. Consider including shorter pieces of fiction, such as novellas or short stories. And what better way for an author to feature their short stories is to team with a group of writers?

Readers benefit by having the ability to read the works of multiple authors.

Quantum Wanderlust Cover

Last week, AIW Press announced the release of our newest release, Quantum Wanderlust, featuring thirteen time-travel stories. But many of you may not be aware that AIW had published three other anthologies.

Unshod
A Western Short Story Anthology

Unshod is a collection of stories by nine female writers, written with a western theme. However, they’re not your granddaddy’s western. The only stipulation we gave authors is the stories must be set in the American west. You’ll find both historical and modern day tales, romance and murder mystery, Native Americans and Japanese Americans.

Macabre Sanctuary
A Paranormal Short Story Anthology

Macabre Sanctuary was released last year and features ten authors. As you might guess from the title, these stories are designed to elicit goosebumps and raise heartbeats. You can read about prophetic nightmares, grave robbing on Halloween night, hazing rituals, and even find a feline or two along the way. (What’s a Halloween type story without a black cat or two?)

Bright Lights and Candle Glow
Holiday-themed short stories

Bright Lights and Candle Glow is a collection from a group of eight authors. These Christmas/Holiday themed stories are set from the mid-1800s to modern day. Read about a Civil War soldier, a 1920’s mobster, a neighbor who is a Grinch, and more.

Each of these collections are free of charge through most major online retailers. So whether you’re in the mood for the old or modern west, want to feel a little frightened, in the mood for a Christmas story, or want to travel in time, you’ll find stories for just about every taste.

To download your free copies, click on the links below.

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Professional Editing (Part One)

Professional Editing (Part One)

This article is the first of a two-part series on the importance of using a professional editor. I’ll post the second part in late September.

Self-editing, beta readers, and critique partners or groups are all an important aspect of the writing process. Each step has its own benefits. Some writers may not use beta readers, and others don’t have a critique partner or group.  I believe both provide useful feedback and it goes without saying that self-editing is a must.

However, if you want your manuscript to be the best it can be, you need the services of a professional. It’s important to know there are different types of edits—content edits, line edits, and copy edits.

Some people use the terms line editor and content editor to mean the same thing essentially. Others differentiate slightly on the two. You may also hear the term developmental edits rather than content edits.

Today, I’m going to talk about content editors. This person can take an otherwise dull manuscript and make it shine.

The content editor will go over your manuscript with a fine-toothed comb. Some of the things they do are:

  • Inconsistencies with character behavior and/or speech
  • Point of view issues, including author intrusion and deep point of view
  • Redundancies or repeating the same information in different ways
  • Ways to tighten dialogue or sentences
  • Active vs. passive voice
  • Confusing scenes or passages
  • Overused words or sentences
  • Suggest changes that can improve the pacing of a scene or paragraph
  • Telling vs. showing

The following is an example from one of my manuscripts. A simple rewording of one sentence changed the passage from what’s known as author intrusion to deep point of view.

Before:

Stephanie felt more confident knowing her father was in the stands cheering for her.

After:

Knowing her father was in the stands cheering for her boosted her confidence.

In the first sentence, I’m telling the reader what Stephanie felt. In the second sentence, I’m in her point of view and showing the reader how she feels.

Here’s another example from the same manuscript in which the editor eliminated unnecessary words.

Before:

Stephanie messaged back. You may call me directly. She entered her phone number and eagerly awaited the call.

After:

Stephanie messaged back her phone number and eagerly awaited the call.

The second sentence, although shorter, is stronger and I didn’t lose the intent of the passage.

It’s important to note a good editor never changes the author’s voice. Sadly, I once had an experience with someone who was, in reality, a frustrated writer. By the time he finished editing my work, I almost didn’t recognize it.

To this day, I regret not using a pen name with that story. And even though it was published in a collection with other writers, I refuse to make references to the book on my website. (Of note, I wasn’t the only author who felt that way.)

A good editor not only points out ways in which a writer can improve his or her work, but they also leave encouraging comments when warranted.

I had this comment from on a particularly tense scene in a novel in which a character reveals something about his past:

Oh! Gut punch! As a writer, this is delicious. As a reader, so sad. Good job.

You can see how this help boost my confidence both as a writer and in the story.

If you go with a traditional publisher, they will provide someone to edit your work. It’s important to note that editing isn’t cheap, but it can make or break your book. If you self-publish, it’s well worth the money spent to hire a professional.

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Research ~ A Necessary Evil

Research ~ A Necessary Evil

Allison stepped onto the patio, enjoying the coolness of the desert southwest evening. Saguaro cacti were silhouetted against the sunset, and a roadrunner darted behind an agave plant. A cactus wren perched nearby. Allison walked further into the yard and stopped to stand beneath a giant magnolia tree…

Okay, I won’t say research is evil, but it hasn’t always been my favorite thing to do. When I first began writing fiction, I didn’t want to be bothered with research. All I wanted to do was to get the story out of my head and onto the computer screen.

“Write what you know.” I heard these words repeated over and over by several seasoned writers.

So I began with something that was comfortable to me. I loosely based the setting of my first novel on my hometown. However, the subject matter required research on my part to make part of the story believable.

My second novel, currently in draft state, necessitated me spending time on the Internet, looking for information about arsonists. (Suffice to say if someone looked at my browser history, and didn’t know I was a writer, they might want to report me to the nearest law enforcement agency.)

It’s easy to slip into a comfort zone. Therefore, the “write what you know” advice only goes so far. If an author continues to use the same setting or story line, readers will quickly become bored with their work and move on. Even though we might write in the same (or similar) genre, we want to generate stories that continue to please our readers and entice new ones.

Hence the need for research. We want our fiction to be believable. So what’s wrong with my opening paragraph?

Saguaro cacti, agave plants, roadrunners, and cactus wrens all fit within the scene. However, magnolia trees do not grow in the desert southwest. A simple mistake like that can cause readers to lose interest and damage our credibility as writers. Worse yet, they could leave a bad review, and we all know too many one and two-star reviews can make or break a book.

How do we go about gathering information? Fortunately, we live in an age where we have instant access to almost anything we want to know. Google and Bing can be a writer’s best friend.

A word of caution—just because something is on the Internet, doesn’t make it true. It’s best to check several sources and/or websites. Wikipedia, while popular, isn’t always the most accurate source because anyone can post anything.

In addition to the Internet, talk with experts. Law enforcement officers, physicians and nurses, fire investigators, military personnel, etc. Most times people are willing to answer specific questions you might have. When meeting with these people, go prepared. Have a list of specific questions so as not to waste their time or yours.

Travel to locations where you want to set your stories. Look around, observe, talk with locals, get a feel of the area, and make copious notes.

I’ve come a long way in regards to conducting research since I started writing fiction. In fact, I’ve probably spent more time gathering information for a current short story than I did with both novels.

The reason? It’s a setting and a story line that is totally beyond my scope of knowledge. Hopefully, my research has paid off. On a recent vacation, while touring a former aircraft carrier turned museum, my husband was impressed that I was able to identify two types of aircraft without looking at signs. I admit that I’ve learned a lot of interesting things from doing this project.

What about you? As a writer, do you enjoy research? What are some of your favorite methods?

 

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Critique Groups

Critique Groups

Critique groups. Critique partners. For many writers, the idea of joining such a group or linking with another writer is scary. New writers, in particular, may be hesitant about sharing their work. Some might be afraid of what other members will say or think. Still, others may feel inferior to more seasoned writers in the group.

In my opinion, if you want to become a published writer, joining a critique group or having a critique partner is necessary.

I’ve been a part of a critique group for several years and can say my group is invaluable. We have experienced writers and beginning writers. We write in different genres. But we all have one thing in common—we are writers. People who want to want to improve their craft and, if not already, become published writers.

Here are three of the many reasons for joining a critique group:

A critique group provides helpful feedback. As writers, we are “too close” to our work. We know what we want to say, but will our readers understand? When you allow others to read and critique your writing, they can offer suggestions such as, “I believe if you worded it this way…” or “That sentence was a bump to me, it distracted from the main story…”

A critique group offers encouragement. Remember that critique groups are composed of writers. Like you, they love to write and have a deep appreciation for the craft. They want to encourage you, and they want and need encouragement.

I recall when I was working on my first novel. At that time, I hadn’t written a lot of fiction, and the draft needed a lot of work. And yes, there were times when I didn’t want to share it with anyone. The comments and encouragement I received encouraged me to keep going.

Now that I have more experience, I enjoy offering feedback and encouragement to newer writers.

In a critique group, you form bonds and friendships. The people in your group will be with you through thick and thin. Yes, some may come and go, but over time, a core group will form. Together, you celebrate successes and sympathize over rejections. The bonds of friendship are priceless.

I believe smaller groups are best. Too many members equal too many opinions. I think a group of 3-5 people is best. Some choose to have a single critique partner rather than join a group.

Are you part of a critique group or have a critique partner? Please share your experience in the comments.

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Proofreading Your Manuscript

Proofreading Your Manuscript

You’ve finished the first draft, edited, re-written, and maybe even edited some more. You’re satisfied with the results, and now it’s finally time to send your manuscript to a publisher. Or in the case of self-published writers, time to format and upload into various online retailers.

But before you do this, I think there is one final necessary step. Proofread. Yes, proofread—even though you may have already done this step with the first, second, or even a third draft.

I’ve learned from experience, proofreading using different methods will help flush out some of those missed typos and punctuation errors. Today, I’m going to share a few of the things I’ve used.

Print a copy of the entire manuscript. Yes, this can get expensive if you don’t have a laser printer. Ink cartridges aren’t long lasting, not to mention the cost of paper. Because I take pieces of my writing to a critique group, I decided to purchase an inexpensive laser printer. There are some good ones on the market for less than $200.00. If buying a printer isn’t an option, check with your local print shop for pricing. Spending a few dollars can be worth it for a cleaner manuscript.

Read the entire story aloud. I read sections each week at my writer’s group and often find that by reading aloud, I find errors that I didn’t catch when reading on the screen. No matter how careful I am, sometimes my brain reads what I want the words to say and not the ones I’ve written. Using text to speech software often helps to catch additional errors. There are a number of free apps available on the Internet, and newer versions of Microsoft Word have this feature.

Use online editing tools. My preference is Grammarly. It catches punctuation errors, passive voice, suggest alternative and overused words. It’s not perfect, but I find it to be better than Word’s spelling and grammar checker. Grammarly’s premium version also catches plagiarism.

If printing isn’t an option, try reading in a different format. I use Scrivener for writing, and it can format into ePub or Mobi files. Try reading the manuscript on your Kindle or Nook. You might be surprised at the errors you catch.

Have a trusted friend or critique partner read your draft. A second or even third set of eyes is helpful.

Even with all these methods, there are times when things slip through. After all, we are human. I’ve found typos in books published by one of the big name publishing companies. However, by taking the time to do a final check, we can eliminate many of these errors.

How about you? Do you have other proofreading methods you use? Please share in the comments.

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Can You Judge a Book by Its Cover?

Can You Judge a Book by Its Cover?

Years after I first read Where are The Children, I purchased a hardback classic edition copy.

Okay, confession time. As much as I love my Kindle and the opportunity to carry an entire library in my purse, I often miss making visits to a brick and mortar bookstore. There is something to be said about perusing the aisles filled with dozens of books.

And way back before the days of Internet shopping, online reviews, and social media, readers often had to rely on word of mouth when selecting books. Reading the back cover or the first page of a book was a factor for me before deciding if I wanted to check out a book from the library or make a purchase. Especially if the author was unfamiliar. But before I opened the book, before I turned it over to read the back, I first looked at the front. If I found the cover to be appealing, then I would move to the next step.

I’m a big fan of mystery and suspense novels. I still recall the first time I saw a book by the now famous author, Mary Higgins Clark. I was at a bookstore (in the fiction section, no less) when I saw the spine of Where Are The Children. The title got my interest, so I pulled a copy from the shelf and looked at the cover. I saw a house located beside a body of water. Tall brown grass indicated to me the story likely took place in the autumn.  But the thing that intrigued me most was the single red mitten in the foreground.

After reading the back cover, which further piqued my interest, I walked to the register, bought the book, took it home and began to read. Years later, I’ve read dozens of Mary’s books and have to say she is probably the author who most inspired me to write mystery and suspense stories.

And it all began with a book cover.

A few years ago, a friend of mine loaned me a book that was written (and self-published) by someone she knew. I kept it around the house for a few weeks, but I never opened it to look inside. Why? The cover looked amateurish. The back was plain white. No author information. No blurb. Nothing. I can’t even remember the title of the book or what was on the front, but I do know it was no more appealing that the back side. The content may have been high-quality writing and an interesting topic, but the writer lost me by not having a good cover.

To be honest, I have read (or attempted to read) some books in which I liked the covers but not the story itself. No matter how pleasing a cover looks, if your content isn’t good, readers won’t continue to purchase your books. But having a professionally designed cover is a must. It’s worth spending a few dollars to hire someone who is an expert at what they are doing. In the long run, you’ll be glad you did.

 

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Quick and Easy Editing Tips

Quick and Easy Editing Tips

Whether you are traditionally published or an Indie author, self-editing is an absolute must. While there is no substitute for hiring a professional editor, there are a few tips writers can do before submitting that manuscript to an editor, publisher, or even beta readers.

Look for “crutch” words

Every author tends to rely on what I call crutch words. These are different for every writer, but reading through your finished manuscript will enable you to become familiar with your own. As you review, look for repeated words or phrases. Some of my crutch words are well, perhaps, and so.

There is nothing wrong with any of these words, but I have a habit of starting sentences with well and so. “Well, I planned to go to town,” or “So, what’s the next step?” In both cases, I can eliminate the first word without changing the meaning of the sentence. If you find you overuse a word, but leaving it in some places is a must, then refer to a thesaurus for synonyms.

Look for “red flag” words or phrases

We’re all familiar with passive vs. active voice. Using active voice is always best. Words such as here, there, of, was, were, will be, to be, thought, felt, heard, saw, and smelled are often a key to the use of passive voice.

I’m not saying it’s always bad to use these words, but when you see one of them think of ways you can rephrase. Rearranging a sentence often results in changing from passive to active.

Look for “-ly” words

I’m not going to say never use an adverb, but it’s always better to use an active verb. Consider the following sentence. He walked slowly down the sidewalk. He sauntered down the sidewalk gives the reader a better visual image.

Look for “dead” and overused words

Words such as that, just, and very, if overused are known as dead words. Most of the time you can eliminate them and not change the meaning of your sentence. As an example, “This is the most fun that I’ve had in a long time.” Instead say, “This is the most fun I’ve had in a long time.”

I admit to having a hard time removing the word just. But when I say, “He just left,” what am I saying?  Five, ten, fifteen minutes? A better way might be, “He left about fifteen minutes ago.”

Of note, we often use the word just when speaking. Using it in dialogue is okay, but still use it sparingly.

Self-editing isn’t hard. The more you write, it becomes easier to spot the things I’ve mentioned here. This isn’t a comprehensive list of editing tips, but taking these few simple steps will make your manuscript much cleaner before you send it to an editor.

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